In Alfred Hitchcock’s "I Confess" (1953), the director moves beyond his usual «wrong man» tropes to explore a spiritual and existential silence. While the plot follows a priest, Father Logan, who is unable to defend himself against a murder charge due to the sacrosanctity of the confessional, the film’s true power lies in what remains unsaid. Hitchcock uses the stark, vertical architecture of Quebec City to mirror the moral rigidity of the law versus the internal weight of faith. | History of Ci

138K views · 772 reactions | An innocent father has come within millimetres of being shot in the head, in an execution plot gone wrong. Three armed intruders blasted their way into his Melbourne home, only stopping when they realised they had the wrong man. #9News | WATCH LIVE 6pm | 9 News | Facebook

45K views · 912 reactions | Racist Couple Bully The Wrong Man - Part 7 | This racist "Karen" and her husband thought they could get away with bullying a man on the basis that he "looks" different. They believed he's loitering on their private property and decide to take matters into their own hands. Although what they don't realize is that they are bullying the wrong man and the consequences for this mistake allow justice to be served swiftly. | Paradigm Studios | Facebook

"The Wrong Man" (1956) | Hitchcock's movies