Sometimes it's hard for us car people to fully immerse ourselves in a movie or TV show, because we're too busy noticing all ...

Ridley Scott is most known for films like Alien and Gladiator, but he has a knack for directing crime thriller masterpieces ...

Sitting by a mansion pool within Sydney’s prestigious suburb of South Coogee that overlooks the sparkling Pacific Ocean, ...

Film lovers know the magic that happens when picture and audio finally meet. Creators feel it even more. Every cut becomes ...

In a new deep dive video from creator Dallas Taylor, Wicked fans can go behind the scenes of the Broadway show with Head of ...

Jeff Wexler, the BAFTA Award-winning and two-time Oscar-nominated sound mixer behind Almost Famous, The Last Samurai and ...

When mysterious creatures invade Earth, anyone who looks at them is driven to deadly madness. To survive, Malorie (Sandra Bullock) must navigate the world blindfolded, relying only on sound and touch ...

In subreddits and X threads, commenters seem to be railing more and more against terrible visual effects and wondering why modern films and TV shows look so bad. But is that actually true? Let’s flip ...

One of the theories around pareidolia – the tendency to see recognisable forms in otherwise nebulous materials such as faces in clouds, or animal outlines in rocks – is that it bestows an evolutionary ...

The Oscar race for visual effects is down to 20. With multiple sources confirming to Variety, the list of finalists includes a mix of anticipated blockbusters and franchise entries, with major studios ...

The Jaws Effect is finally wearing off, a promising new study has revealed. Named after the 1975 thriller, the Jaws Effect describes how films featuring sharks fuel a fear of the creatures in the real ...

Frankenstein director Guillermo del Toro has revealed that he used a different frame rate for the scenes between Jacob Elordi's Creature and Mia Goth's Elizabeth – and that's one of the reasons why ...