28 Years Later: The Bone Temple Review: I Expected A Horror Sequel, But This Is Something Else Entirely

Unlike its predecessor, which kicks off in an entirely new-to-viewers environment, 28 Years Later: The Bone Temple quickly ...

‘28 Years Later: The Bone Temple’ Review: Ralph Fiennes and Jack O’Connell Go Full Metal Freakout in Nia DaCosta’s Brutal, Bonkers Sequel

Alfie Williams returns as the self-exiled Spike, last seen leaving behind the relative safety of his childhood community and ...

Ralph Fiennes has already delivered the craziest performance of the year in ‘28 Years Later: The Bone Temple’: review

Infecteds” and rogue punks go bonkers in director Nia DaCosta’s twisted, more brutal and freakishly funny continuation.

‘28 Years Later: The Bone Temple’ Review: Nia DaCosta’s Freaky Sequel Puts the Brains Back in Eating Brains

The "28 Days Later" franchise has evolved into a trippy, biblical battle between soulful science and heartless religion.

'28 Years Later: The Bone Temple' review: Nia DaCosta delivers an exhilarating horror epic

Much like "superhero movie" has become a nebulous concept as more filmmakers push the boundaries on the subgenres' ...

‘28 Years Later: The Bone Temple’ Review: Nia DaCosta Brings More Blood, Guts And Brains To Danny Boyle’s Apocalyptic Zombie Franchise

Directed by Nia DaCosta, who more than earned her horror spurs with the 2021 remake of Candyman, 28 Days Later: The Bone ...

The Bone Temple turns 28 Years Later into a terrifying crisis of faith

TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five ...

28 Years Later: The Bone Temple is the perfect middle entry in a trilogy I can't wait to finish

Picking up where Danny Boyle left off, director Nia DaCosta delivers a perfect sequel that solidifies screenwriter Alex ...

‘28 Years Later: The Bone Temple’ Review: Ralph Fiennes Commands a Shocking Successor to Last Year’s Most Welcome Revival

Nia DaCosta nimbly takes the reins of the zombie franchise, pitting a devil-worshipping Jack O'Connell against Fiennes' faith-stripped man of science.