If “The Oresteia” is a juicy saga of family revenge swelling into public justice, and also the only trilogy we have from ancient Greece, why is it so rarely staged? “People are afraid of them,” says ...

A fat lady does sing (more than once) toward the end, but that's hardly the only operatic aspect to Berkeley Rep's current "The Oresteia." The three-play Aeschylus cycle emerges as a two-evening epic ...

Performances in N.Y.C. Advertisement Supported by Two Robert Icke productions have endured illnesses and last-minute casting changes. Now they have finally settled into a repertory groove. By Juan A.