Add articles to your saved list and come back to them any time. Pinchgut Opera could not have asked for a better start to their second opera for 2014. The gods are clearly angry. Outside, lighting ...

It always seems to happen in these mythological operas. Everything seems like it’s settled, the characters’ fates are sealed, and suddenly a deus ex machina shows up to save the day. This certainly ...

The 2007 production, sung in the original French, has returned this month with the same starry cast of singers in principal roles -- mezzo-soprano Susan Graham (Iphig nie), tenor Placido Domingo ...

Lucie Skeaping explores music from Gluck's fifth operatic masterpiece, Iphigénie en Tauride - based on Euripides' play and first performed in Paris in 1779. Show more Lucie Skeaping looks at the music ...

In the mid-1700s, Christoph Willibald Gluck overthrew the musical excesses around him. A marathon double bill in France shows the vibrancy of his vision. By Zachary Woolfe Reporting from ...

English Touring Opera’s spring tour takes them all over England from now until early June. I admire ETO, who, under their long- serving general director James Conway, offer, on a minimal budget, ...

Star power is a remarkable thing. Gluck's "Iphigenie en Tauride" is hardly one of opera's greatest hits. And in the Washington National Opera's production of it, which opened Friday night, there are a ...

Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. "Who's in charge here?" seems to be the question ringing though Anne Théron's ...

Michael Halliwell does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond ...

Simply sign up to the Life & Arts myFT Digest -- delivered directly to your inbox. One problem faces all Gluck interpreters: how do you extract the meat from the marble? It explains why we encounter ...

Star power is a remarkable thing. Gluck’s “Iphigenie en Tauride” is hardly one of opera’s greatest hits. And in the Washington National Opera’s production of it, which opened Friday night, there are a ...