Every year, while prescreening Fort Lauderdale International Film Festival entries for human consumption, a little indie gem invariably jumps out. Punching the Clown, Gregori Viens’ fable on fame and ...
How would you market Henry Phillips? Is he a novelty folk-rock singer? A stand-up comedian with a musical shtick? Or do both descriptions trivialize his deadpan blend of observational spoken-word ...
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