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Review: S.F. Ballet’s ‘Raymonda’ doesn’t solve all of the classic’s problems, but delivers spectacular dancing
The demanding dancing hardly lets up in “Raymonda” — and San Francisco Ballet has rarely danced better. Through nearly 180 minutes of this three-act ballet, the company’s dancers launch themselves ...
On its eighth trip from Russia to the Segerstrom Center for the Arts, St. Petersburg’s stellar Mariinsky Ballet brought a work from the classical canon that’s dogged with a story many consider beyond ...
In the opening scene of SF Ballet’s “Raymonda,” a man shoots a woman. Then he steps out from behind his camera. Like a phrase whose double meaning is only revealed when you read it aloud, the initial ...
Stanton Welch’s commitment to keeping classical technique alive at Houston Ballet takes a new turn this week with the premiere of his “Raymonda,” a grand production that promises three hours of ...
Yuri Fateyev, the Mariinsky Ballet’s acting director, describes his two upcoming shows as “absolutely opposite productions in the same region.” The Russian dance company and orchestra formerly known ...
Marius Petipa's "Raymonda" is the grandest of the grand old ballets. First staged in 1898 to Alexander Glazunov's ravishing score, it is rarely danced in America. The work has seen many changes over ...
The Crusades are about to launch, and in a castle in the south of France, a group of Hungarian knights is partying. Among them is Jean de Brienne, a cavalier smitten with a local princess. The ...
The premiere of English National Ballet’s Raymonda comes with the news that director Tamara Rojo is moving on, taking up the directorship of San Francisco Ballet. Her leadership has always had an ...
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